Shooting objects out of focus
Under developed / Over developed
Multiple exposures
Light painting
Moving an object during an exposure
Have my hand in the exposure
Object at different heights (this should affect diffusion + soft edges)
Multiple light sources
Newspaper
Partial developer exposure
Dodging and burning

As a digital camera photographer, it’s easy to just apply those techniques onto these black and white prints - but I thought I’d have more fun by taking a step back to try more simple, but experimental methods to create prints

Sequence

Sequence of exposures to paint a single image (i.e. mountain)
- Get image
- Turn grey scale
- Adjust colour
- Split into layers
- Stencils of the negatives
- Apply per-layer exposures
Sequence of exposures in one (Day, night, rain, lightning)
Motion (i.e. something bouncing / spinning)

Ambience

We are shaped by what we see and encounter, not just by what happens to us

How a camera mediates, but also displaces the world
Analogue techniques
Contact printing
Bathing the paper in solutions taken from the site
Film camera superimposed on a camera
Level - getting lower to the ground
- Things that are not level
Photo of something that is no longer - photo in a photo
Light
Deconstructed
Shadows splitting things
- Carpark
Light shining towards camera

Blur

System based -

* Speed, aperture, bracketing, focus

Instruction

Performance

Chance

Long exposure

Identity

-> Mirror covering the face

-> Finger print

-> Hoodie

Mirror

Identity

Long exposure of person inside crowd
- At the front (face behind) (portrait)
- Surrounded (facing in front) (landscape)
Carpark, person alone

- Fingerprint / signature / passport - denied

- Footprints on the sand….

“I am not who you think I am; I am not who I think I am; I am who I think you think I am” - Thomas Cooley

Blind fold, or gaff tape, or a black cloth

Portrait with blind-fold
Behind the shoulder holding mirror facing face
Sillhoutte - dark on white circle on dark
Looking backwards
Hand in front of face looking up